Paul SG feat.Carter – The Teacher/Kosato

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We bring you news of a brand new release on Rotation Deep Records.

Supported by none-other than LTJ Bukem comes a two-track single like no other. With his first appearance on Rotation UK, Paul SG delivers a mellow, sun-sparkled vibe.

‘The Teacher’ is a wonderful array of blindingly beautiful melodies and sustained pads. Perfectly sampled electric guitars sneak their way through offering room for an impactful drop while zesty reversed melodies sweeten the mood. Liquid drum lines of pure gold melt into the mix like they were never there. Brilliantly arranged and sublime production values make this an unmissable addition to the Rotation roster.

‘Kosato’ featuring Carter is the second of the two tracks and is sure to get the head nodding. The typically Paul SG rolling drum-line makes a return, only this time with added fervor and punch. Blissful vocal stabs permeate the mix creating solid and fluent transitions. Jazz inspired instrumentation is something that most of us cannot get enough of and Paul SG has certainly done it justice with a wonderfully pizzicato upright bass. I know I’ll keep coming back to listen to that slice of heaven, a release sure to stand the test of time on the mighty Midlands imprint, Rotation UK.

Review By Alisdair Mason

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New Zealand Story Remixes – Out 15/4/2013

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The New Zealand Story remix package brings together the work of two of breakbeat hardcore’s most iconic labels. Both Elation and Lucky Breaks have long and storied histories, and have been responsible for tracks which have both represented the scene and crossed over into related musical worlds. Ponder’s Elation has been a focal point for quality productions which have exhibited the producer’s famed depth and emotion, and has recently seen a rebirth in the live field in conjunction with Hardcore Underground, the success of which is still being felt far and wide. Lucky Breaks (now Lucky Breaks Digital) was originally run by the legendary Wizbit, and is now in the hands of DJ/producer duo Bustin & Skampy. The new reincarnation of the label has been swift to follow up the far-reaching accomplishments of its original incarnation.

The original of New Zealand Story has gone down in the annuls of hardcore history as an achievement of unparalleled magnitude. The 2004 track contained elements of both producers’ styles, weaving and blending between light and dark. Its famous intro buildup, and affecting melody have never been matched or replicated. Until now. Many months in the planning and delivery, the remix package is ready, furthering the labels’, the producers’ and the remixers’ plans for a musical revolution.

The release includes a total of six remixes, and all of the individuals involved have included some of their finest work to date. One half of the original production team, Ponder, has two bites at the remix cherry. His Laid Back Approach is the perfect foil to some of the more in-your-face tracks, as it maintains the spirit of the original, yet realised in a very different form. The results are positively elegiac. The Tranceponder version, meanwhile, has a quietly epic quality to it, with melodic elements arising from a melee of synth stabs and meaty kicks. It is, as with all of the remixes on offer, the same track and something markedly different at the same time.

Man of the moment Gavin G has a highly distinct, artistic sound, which he employs fully during his re-imagining. Echoing the original’s use of light and space, he takes this aspect of the tune and magnifies it, adding his signature near-angelic vocal samples and world-encompassing use of both sound and musical vision. He then adds a dash of spiky synth and booming bass, before bringing the melody back in with ease.

Dave Skywalker is a name which may not be as familiar to some, but the Endor Records helmer is a producer of both note and of esteem. His remix takes an uptempo route, beefing up the synth lead, surrounding it with galloping drum work and rushy breaks. Douglas meanwhile, is absolutely at ease on his interesting, invigorating remix. He brings his freeform skills to the fore, resulting in a stripped down, instinctual ride into the future. The beauty of New Zealand Story is its ability to instantaneously tell a million different stories. Douglas, as with all of the remixers, tells us his whilst still allowing us to draw our own over the beats.

For me, the piece de resistance of the entire package has been, since I first heard it, the Bustin & Skampy remix. They have always had a reputation for their remix work, but they have exceeded even their fine pedigree on NZS. They combine a number of techniques in the same piece, starting off with some solid breakbeats. The melody enters, but is kept in check by the breaks. A breakdown is built back up from by an emotional piano line, and then the real magic happens. They draw out the epicness of the piece, using the extra long build to delay the reinsertion of the melodic phrase until the final possible moment. The pay off, of course, is blissful, as the way they divide the melody, *under* the break, never quite referring to it in full, simultaneously showing snatches of different parts of the tune, is sublime. My remix of the year.

NZS is set to have a huge impact on the breakbeat hardcore scene. Many will remember the original fondly, and the new set of tracks is a fitting legacy for Ponder and Wizbit’s creation. The remixes will bring many people together, who may follow the individual remixers, and all that listen will be filled with the joy of a new-found discovery, a knowledge that all of the separate parts which make up the release contribute to a fuller understanding of what the New Zealand Story is and what it represents. All will write their own story, aided and abetted by the amazing sounds which these producers have fashioned.

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Forthcoming Events – Jan-Mar 2013

Whilst we wait for the updates to the site which are coming very soon (improving the layout, accessibility and content of the site), I wanted to let you know about just a few events which are coming up which have caught our eye here at FutureIntalekt.com headquaters. We’ve picked out one drum & bass event, one at which you can find all sorts of different hardcore dance music, including freeform and breakbeat hardcore, and one which looks like being one of the biggest breakbeat hardcore events of the year. Read on and check the links for all three…:

DDz Stilla Audio

Really looking forward to seeing the Different Drumz crew again, this time dropping things slightly differently, alongside the Stilla Audio crew. Different Drumz always offer a good time, filled with friendly people and good vibes. Find out more at
http://www.facebook.com/events/531161526894470/

ILHB3

I Love Hard Beats has become quickly recognised as the top name in freeform hardcore events. Over the course of their last two events, the collective behind the night have showcased acts from across the harder end of dance music, showing the dedicated attendees that things can be done right by those that care. The third event promises even more than the preceding nights, with music from Marc Smith, CLSM, Karl Future and many, many more. Get along to one of the scene’s most iconic venues at Crucifix Lane, and show the world that you Love Hard Beats.
http://www.facebook.com/events/218543718277663/

And finally, something which we’ve been looking forward to for quite some time, the return of Elation to the live arena, and a room dedicated to our much loved genre of breakbeat hardcore. The line-up across both rooms has got people rightly excited, and Hardcore Underground have successfully transferred what they do so well on record to promoting events. This one is for history, so get involved, get your tickets now, and be part of the revolution.
http://www.facebook.com/events/461974877171876/

HU Elation

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Lucky Breaks 002 – He’s Dead/Where’s Your Moog At?

FutureIntalekt is proud to present the press release for the new Lucky Breaks single, He’s Dead, a brand new track from Bustin & Skampy, and Where’s Your Moog At, by TC & TenTun.

The release continues the rich vein of quality breakbeat hardcore releases in 2012, and adds to Lucky Breaks’ burgeoning reputation as a label to watch. Make sure you check out the links to the audio of the tracks which are below.

If you have any questions, queries, interview and mix requests, please, just shout.

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Breakbeat hardcore mixes – Brownie, Miss Hardtech, Dave Skywalker

In case you’ve missed any recent breakbeat hardcore mixes, here are a few presented by FutureIntalekt. Check out mixes below from Brownie, Miss Hardtech and the amazing 21 Century 4Beat Vol II album by Dave Skywalker

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Breakbeat hardcore releases – 21-7-12

Time for some news of some exciting breakbeat hardcore releases, from Sam B and Ponder.

 

Hardcore Underground’s Sam has two tracks ready to drop on CLSM and HU Breaks. Sam’s releases are always special, and these tracks are no different. ‘Without You’ takes vocal snatches and old skool-sounding pianos, and rolls them over lush breaks and tempered bass, much in the style of labelmates Fracus and Darwin.

 

 

The track fits right into the 2012 breakbeat revolution, as does ‘Take You Higher’, which is based around an age-old vocal sample. He adds morphed bass sounds and lightning-quick effects to the mix, all adding up to a very weighty track. The way the breaks shuffle back in after the breakdown is amazing. Big ups to Sam for these two killers.

 

 

Ponder is also releasing new tracks, on his Elation Digital label, issued via CLSM.net. The tracks are taken from the recent Breaking Free The Album (see elsewhere on this site for more on that), and are some of my favourites from that collection. The tracks show the inherent versatility in breakbeat hardcore, and are all influenced by, and in turn inform different sensibilities and emotions. For example, Chimera feels free, floating as it does on the hopes and dreams of better times. When the beat comes in, it caresses you, makes you feel at ease. Pianos mark time, letting you know that the drums are imminent, but not threatening. This is perhaps an antithesis to ‘bass’ music. A track for the early morning or the late night.

 

 

Likewise, No Trouble, with Wizbit, is effortlessly relaxing. The track, which opens Ponder’s own mix on BFTA, veers toward the cinematic, as elements combine to produce a totality of emotion based around the track’s lyrical quality. Shuffle combines with swing, combines with groove, and ideas of what you thought ‘hardcore’ or ‘electronic music’, are thrown swiftly and clearly out the window.

 

 

The fractious, unnerving Faces Of Angels (with DOK, HB & Ponder remix) is the joker in the pack. The initial prophecy alerts us to the incoming synths, and the beat soon drops, from a great height. This is to be no easy ride. The beat is instantly harder, the effects more immediate and in your face. The quality of Ponder’s studio work is obvious, but a few listens to ‘Faces…’ will remind you why he is held in such esteem by colleagues and supporters.

 

 

Find out more about the releases at CLSM.net

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Breaking Free review

In life, some look to the past, whilst others to the future. But true visionaries create something different, something unique. With art, with music, and with culture, an individual can create their own destiny, and Breaking Free has been designed to give you that opportunity.

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